Live Coverage

Live Review: Lamb of God + Kublai Khan TX + Fit For An Autopsy + Sanguisugabogg @ Coca-Cola Roxy, Atlanta – April 15, 2026

April 17, 2026 Chris Collett 5 min read
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Singer passionately performing on stage, holding a microphone. Wearing a "Division of Mind" shirt. Green lighting with a skull design backdrop.
Lamb of God photo by Chris Collett

Some nights are built to escalate, and this one did exactly that. Four bands, each heavier than the last, all packed into the Coca-Cola Roxy on a Braves game night, which already had the area chaotic before doors even opened. Once inside though, it locked in quick. This wasn’t a casual crowd. People showed up early and stayed engaged the entire night, which says a lot when you’re starting this heavy right out of the gate.

Sanguisugabogg

Sanguisugabogg kicked things off right at 7:00, and they did exactly what an opener like this is supposed to do. No easing into it. Just straight into thick, nasty riffs that immediately grabbed attention. The room wasn’t even fully packed yet, but the people who were in already started moving.

Musician with curly hair and tattooed arms performs energetically on stage, wearing a band t-shirt. Blue lights and drum set in the background.
Sanguisugabogg photo by Chris Collett

It felt raw in the best way. Devin Swank stayed right in it with the crowd, and the band kept things tight without overcomplicating anything. Opening with “Rotted Entanglement” and closing on “Dead as Shit,” they kept it short and effective. By the time they walked off, the room was warmed up and ready for more.

Fit For An Autopsy

Fit For An Autopsy came in next and shifted the tone without losing any weight. Where the opener felt chaotic, this felt controlled. Everything was tighter, more deliberate, and you could feel the experience in how they built their set.

Fit For An Autopsy  photo by Chris Collett
Fit For An Autopsy photo by Chris Collett

Joe Badolato came out swinging with “Lower Purpose,” and from there it just kept building. Tracks like “Warfare” and “Pandora” really stood out, not just for how heavy they hit, but how the crowd responded to them. By the time they closed with “Far From Heaven,” the pit was fully moving and the energy had clearly stepped up from where it started.

Kublai Khan TX

Kublai Khan TX took that energy and pushed it even further. From the second they opened with “Darwinism,” it was obvious this set was going to hit different. The sound was heavier, the delivery was more aggressive, and the crowd reacted instantly.

Guitarist with long hair plays passionately on stage under blue-green lights. Background shows a blurred neon pattern. Mood is intense and focused.
Kublai Khan TX photo by Chris Collett

Matt Honeycutt controlled the room in a way that felt direct and intense without losing connection with the crowd. Songs like “The Mountain of Corsicana” and “Self-Destruct” kept the momentum going, and even with a quick restart during “Boomslang” because of a mic issue, nothing slowed down. Closing with “Theory of Mind” left the room exactly where it needed to be before the headliner. Loud, chaotic, and completely locked in.

Lamb of God

By the time Lamb of God hit the stage at 9:40, the crowd was already there. No warm-up needed. The curtain drop into “Ruin” set it off instantly, and from that point forward it never let up.

Lead singer passionately performs on stage with arms raised. Fiery graphics illuminate the background. Drummer and guitarist add intensity.
Lamb of God photo by Chris Collett

“Laid to Rest” hit exactly how you’d expect, and “Blood Junkie” got one of the biggest reactions of the night. What stood out though was how well the newer material fit into the set. “Into Oblivion” and “Parasocial Christ” didn’t feel like they slowed anything down. They held their own right alongside the older tracks.

The pacing of the set was dialed in. “512” brought a different kind of weight to the middle of the show, and you could feel that shift in the room before it ramped right back up. By the time “Walk With Me in Hell” and “Omerta” came around, the entire floor was moving, crowd surfers were constant, and security was working overtime just to keep things flowing.

“512” brought a different kind of weight to the middle of the show, and you could feel that shift in the room before it ramped right back up.

Closing with “Sepsis” and “Redneck” left nothing on the table. It felt earned, not just loud for the sake of it. Lamb of God still knows how to build a set that keeps people engaged from start to finish, and this one didn’t miss.

Lamb of God 2026 tour poster with band logos and a dark, eerie house. Dates and cities listed below. Blue-toned, atmospheric design.
Lamb Of God – North America 2026 Tour

Lamb of God Setlist – Coca-Cola Roxy, Atlanta (April 15, 2026)

Ruin

Laid to Rest

Blood Junkie

Into Oblivion

Resurrection Man

Grace

Desolation

512

Walk With Me in Hell

Parasocial Christ

Omerta

11th Hour

Memento Mori

Sepsis

Redneck

Band Links

Lamb of God

https://www.lamb-of-god.com/

https://www.instagram.com/lambofgod/

https://open.spotify.com/artist/3JFsVIxOn7STeilPICkkB2

Kublai Khan TX

https://kublaikhantx.com/

https://www.instagram.com/kublaikhantx/

https://open.spotify.com/artist/5BIOo2mCAokFcLHXO2Llb4

Fit For An Autopsy

https://fitforanautopsy.co/

https://www.instagram.com/fitforanautopsy/

https://open.spotify.com/artist/0qJpY7K8p7g6sacvaGNt6i

Sanguisugabogg

https://sanguisugabogg.com/

https://www.instagram.com/sanguisugaboggband/

https://open.spotify.com/artist/0n98EIfTSiyxUZHUojHykN

Final Thought

This was one of those lineups where every band did their job and pushed the next one harder. By the time Lamb of God closed it out, the crowd was all in, and it felt like the kind of show that reminds you why live metal still hits the way it does.


Lamb of God

Kublai Khan TX

Fit For An Autopsy

Sanguisugabogg

Photos © Chris Collett / No Flash Needed

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